Sookshma, the subtle one

An adaptation of A.K.Ramanujan’s translation of a Kannada folk tale, Sookshma was truly an experience of myriad pleasures. Performed at the ADA Rangamandira in Bangalore last evening, the show had, like I often like to say, ‘soul’ .


I have never seen Odissi before, not counting the one afternoon we had spent at Nrityagram. It seemed like a dance form of fluidity and grace and last evening’s performance was no different. The movements were languid and graceful and the pace was pleasurably slow. With our lifestyles of fast this and fast that, it was refreshing to just sit back and allow your emotions to rain over you, to feel sadness or joy to the whole.

While the dancers were truly a class apart, what gave the show character was the music. It fit into every scene beautifully, so much so that even an awkward non-dancer like me wanted to get up and keep pace. Like one of the guests who spoke after the show said, ” you could see every scene, thanks to the music.” I wish I could get a copy of the music somewhere. Strains of those melodies still ring in my ears and I am left groping in the dark, trying to clutch on to what little I have/remember.

Though the ballet talks about woman as Nature, I find the comparison a tad too trite. Nature for who she is, as the subtle one who is being destroyed by us with every passing day, is the protagonist here. Not any woman, but Nature in particular. The title makes sense when you look at how Nature has always been a quiet force but when not cared for, becomes conspicuous with her absence.


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